We are shining a spotlight on Detroit's nearly 100-year-old Mexicantown neighborhood, where residents and entrepreneurs who trace their roots to Mexico and other parts of Latin America have kept culture and small business alive and well through the city's highs and lows. (Top: Mural by Mexican-American artist Victor "Marka27" Quiñones; photo by Erik Howard, courtesy Detroit Metro Times)
National Endowment for the Arts and LISC brought six teams of partners from small, medium, and rural places together for the inaugural Local Leaders’ Institute on Creative Placemaking. At the two day convening in the summer of 2019, these local leaders shared community goals and ideas for implementation of creative placemaking projects designed to strengthen their local communities.
From the unprecedented $1.5 billion we invested last year in people and communities across the country, to our burgeoning collaborations with sectors ranging from tech and healthcare to sports and local government, the LISC 2018 Annual Report is chock full of good news, good numbers, and good ideas. These resources and strategies propel us on our journey to shape a brighter future for all our nation's residents. And that, in a nutshell, is the heart of LISC's mission. Read on!Read Our Report
When North Minneapolis natives DeAnna and Roger Cummings founded Juxtaposition Arts (JXTA), they envisioned “a space where kids could have the opportunity to understand what they're good at.” More than two decades later (and with help from LISC), JXTA is a creative and entrepreneurial outlet for hundreds of young people, a force of community revitalization, and a flourishing anchor institution capable of leading a $14 million capital campaign to expand their impact into more neighborhoods, for more youth.
In recognition of Black History Month, we are spotlighting the Mississippi-based group MACE, a longtime LISC partner with an illustrious past rooted in the Civil Rights movement, and a deep and continuing track record of comprehensive community development. Before anyone ever called it that.